









Was breakfasting today at Otra Casa, having a nice conversation with the Dutch owner about the ins and outs of starting a business in South America and the fine line one has to walk to not be too much more successful than the local businesses. He mentioned this in conjunction with the fact that his friend, another European business owner in Peru, had been shot seven times a week ago. As I ate my bowl of fruits, yogurt, and muesli and watched four children play in the sand a few feet in front of me, I found it hard not to think of the perceptions Peruvians must have about certain kinds of behaviors us gringos bring with us from our home countries when we arrive in South America. The pace of life, the ease of luxuriousness, the lushness of it all makes it difficult for us not to seem indolent, I imagine. Yet the Dutchman I talked with this morning had taken the success of a great idea and the happiness of a peaceful life and used both to begin numerous charity projects throughout the area. These are the people I travel to meet.
Before I knew it the four children from the beach were playing right next to me, and I took out my camera to capture their priceless faces only to be disabused of my own assumption of their idyllic existence. This occurred when the biggest of the four, a girl of about eight, began roughing up the little ones to put them in poses she thought I would like to see. When they resisted, she pushed them onto the ground, despite my protestations. It made me feel like a part of some objectification of these pure little beings, as if by taking pictures of them I was turning them into less than what they were. The eight year old seemed to have caught on to the basic aesthetics of this dehumanization or depersonalization of herself and her siblings, had come to see there childhood as a marketable commodity and was quick to shatter the seeming innocence of their lives to achieve a superficial pose that she thought I would be willing to pay for. I did end up giving them money. I felt responsible for the abuse the little ones suffered after I took my camera out and began the whole process. But I learned my lesson from the experience.
Went to Chan Chan on a collectivo after breakfast. The miles of crumbling adobe left much to the imagination, but it was easy for me to fill the empty spaces with a thriving civilization that imported cultures and people from across South America. An empty alley became a bustling market full of stalls. People in rich costumes of their tribes crisscrossed my path. Everything was for sale. Animals from the Amazon, metals from the mountains, fruits and foods from the entire American world. I only came out of my reverie when a class of twelve year olds stopped us for pictures with them…we ended up taking about twenty before prying them off of us and continuing our journey. Thoughts of the Chimu who inhabited the city stayed with me long after I’d boarded the collectivo heading into Trujillo. A warlike people, their chieftains were buried with their concubines, in a tomb not unlike the Mycenaean tombs of Crete. Their power stretched all along what is now the Northern Peruvian desert and coast, and then they were gone leaving nothing but eroding adobe etched with wild animal designs, some pottery shards, some metallic objects. But in their day, they were feared and honored for centuries. All that is left of them is what we can imagine from the dust.
Halfway through the trip to the Huaca del Sol y Luna, between the two buses I had to take, walking down a street that looked like any other in the city. A policeman in hard blue camouflage crossed the street, motioning to me to stop walking. “Que tal?” I asked. He replied that it was a very dangerous area and that I should not go any further. He then informed me that I was heading into the worst shanty in the city, and that I was not heading in the right direction anyway. It was a startling experience, this example of preventative police work. He even bargained with the cab driver for me.
I arrived at the Huaca del Sol y Luna twenty minutes later. The temples were named so by a European who’d been to Teotihuacan and thought these two in the shadow of the White Mountain were similar. They were built by the Moche culture, who worshipped what is now called the decapitator God, and who sacrificed young men after they lost ritualized combat. Though there is much work still to be done at the site, what has been uncovered is truly exceptional. The decapitator God has alternating body parts of an anthropomorphic nature, with hands going from condor heads to fox heads and back again, on successive layers of the temple. While the Huaca de Luna has at least seven layers, each added on after the previous one was outgrown by simply covering the previous one with mud brick, the Huaca del Sol had ten layers, and was not open to the public when I visited. The truly impressive part of the ruin is the northern face, which gives a clear depiction of how the temple must have looked at the height of its practical use. Bands of repeating designs in high relief, with mineral-produced colors still vibrant after so many centuries, show warriors, the Decapitator God, serpents, condors, and fishermen all going about there archetypal roles. One image in particular, which the guide said had not yet been deciphered, seemed to me to be an entire mythological system in two-dimensional image, with such a variety of creatures and actions in such a small space that it must have been the Moche conception of the world. The temple of the moon seems special to me in that with the different layers of construction comes a painted record of the evolution of Moche mythology. Certain stylistic changes could have resulted from altercations among the ruling class, shifts in belief, natural disasters, or the influx of other cultural ideologies. While this can be debated, the record is there depicting the changes themselves. The structure is the closest thing to a book we have from the Moche. They are one of the few cultures of ancient Peru to have left a linguistic legacy as well, Muchik, which local inhabitants spoke until about twenty years ago. Through the oral histories passed down in these communities we know much about the customs of the people who utilized the Huaca del Sol y Luna that we otherwise would have had to guess at. Their erotic pottery ( http://www.museolarco.org/igal_er.shtml ) tells us something of their society, as does the fact that a woman warrior burial was found dating from 450 A.D. (http://www.nytimes.com/2006/05/17/world/americas/17mummy.html?ex=1148011200&en=08cced452dd20f1b&ei=5087%0A )
These two elements combined seem to indicate a relatively open society in which gender roles weren’t completely set and sexuality was celebrated. The portrait vessels, which depict individuals with a range of emotions and idiosyncratic markings, imply an emphasis on individuality that leads the imagination even further. Alternatively, there are vessels that depict vilence so extreme that one begins to wonder whether every part of life was celebrated, from sex to death, murder to birth. The idea is strangely appealing for someone with a distant yet distinct puritanical cultural heritage. As Archaeology magazine put it:
“Vessels in the form of stirrup-spouted bottles with molded figures and intricate fine-line painting show warrior-priests bedecked in imposing ornate garb orchestrating ritual warfare; slitting captives' throats, drinking their blood, and hanging their defleshed bones from ropes; and participating in acts of sodomy and fellatio, all in a context of structured ceremony. In the absence of archaeological evidence, most scholars found many of the scenes too horrific to take literally, often suggesting they were simply artistic hyperbole, imagery the priestly class used to underscore its coercive power.”
It’s interesting the way the above caption clearly delineates the limitations of scholarly interpretation. The projection of cultural norms onto ancient artifacts in the form of perceived hyperbole fascinates me.
So I’ll have to be looking further into the Moche, the Chimu, the Chavin, and the Chachapoya. They all seem to have shared certain features of culture, one dominant one in my mind being the divinity of the feline, brought into humanity through the San Pedro cactus. After leaving the temple and taking two combi’s back to Huanchaco, I ate a delicious meal of fresh bread with tsatsiki, guacamole, and a mustard sauce, finished with a burrito of bean, garlic, and onion. Washed it down with carrot, strawberry, and watermelon juice. Had another good talk with the owner of Otra Casa, who was feeding some street dogs when I arrived. Then walked along the beach to the hostel, stopping to rinse my feet where a class of girls were hunkered down in the warm water coming from a pipe in the road, trying to stay warm in the swiftly dropping temperature. The sun set over the Pacific as a big blood orange, I returned to my room, and took my first anti-malarial in preparation for the jungle in about a week. The warning list of possible side effects made me laugh. Who needs hair when you’re dead?
“Vessels in the form of stirrup-spouted bottles with molded figures and intricate fine-line painting show warrior-priests bedecked in imposing ornate garb orchestrating ritual warfare; slitting captives' throats, drinking their blood, and hanging their defleshed bones from ropes; and participating in acts of sodomy and fellatio, all in a context of structured ceremony. In the absence of archaeological evidence, most scholars found many of the scenes too horrific to take literally, often suggesting they were simply artistic hyperbole, imagery the priestly class used to underscore its coercive power.”
It’s interesting the way the above caption clearly delineates the limitations of scholarly interpretation. The projection of cultural norms onto ancient artifacts in the form of perceived hyperbole fascinates me.
So I’ll have to be looking further into the Moche, the Chimu, the Chavin, and the Chachapoya. They all seem to have shared certain features of culture, one dominant one in my mind being the divinity of the feline, brought into humanity through the San Pedro cactus. After leaving the temple and taking two combi’s back to Huanchaco, I ate a delicious meal of fresh bread with tsatsiki, guacamole, and a mustard sauce, finished with a burrito of bean, garlic, and onion. Washed it down with carrot, strawberry, and watermelon juice. Had another good talk with the owner of Otra Casa, who was feeding some street dogs when I arrived. Then walked along the beach to the hostel, stopping to rinse my feet where a class of girls were hunkered down in the warm water coming from a pipe in the road, trying to stay warm in the swiftly dropping temperature. The sun set over the Pacific as a big blood orange, I returned to my room, and took my first anti-malarial in preparation for the jungle in about a week. The warning list of possible side effects made me laugh. Who needs hair when you’re dead?


















